Perkins History Museum headline.
Arrow pointing to text.
You are in the Howe Press and the Perkins Brailler section of the History area.
Skip to Navigation.
Introduction.

Photograph. A formal portrait showing a child reading a raised print book with his fingers to three younger students standing at a table, ca. 1900.  Two boys and a girl standing next to science projects:  a plasticene chart of the solar system, a volcano, and dinosaurs and amphibians made of plasticene, ca. 1940.  Anne Sullivan fingerspelling into a young Helen Keller?s hand, ca. 1889.  Young men and boys with brass instruments, ca. 1860.
.
Photograph. A man with salt and pepper gray hair, glasses and a sports jacket with thin lapels and tie, stands beside the Perkins brailler

David Abraham, designer of the world-famous Perkins Brailler, Watertown, ca. 1964

Click to Enlarge

Howe Press and the Perkins Brailler.
.

When Michael Anagnos became Perkins? second director in 1876, the printing department had been producing tactile books for more than 40 years. The press had always struggled for funding, and Anagnos was determined to make it self-sustaining. A consummate fundraiser, Anagnos created a $100,000 endowment for the printing department, renamed it Howe Memorial Press as a tribute to his father-in-law Samuel Gridley Howe, Perkins? first director.

In the 1880s Howe Memorial Press began producing books in American Braille as well as in the embossed alphabet Boston Line Type system developed by Samuel G. Howe. Many years later when standard braille was adopted, the press shifted its production to that system. Howe Press also developed and sold simple mechanical Braille writers, maps, slates, ciphering boards, and other school materials used by students with visual impairments throughout the country.

In the 1890s, Frank H. Hall, superintendent of the Illinois Institution for the Education of the Blind, revolutionized braille writer design with his streamlined typewriter-style machine. Within a few years Perkins and other manufacturers were producing similar designs. However, because these early writers were hand tooled, their performance was unpredictable and idiosyncratic, and replacing individual parts was extremely difficult and slow. Perkins produced several models over the next thirty years, all of which shared these design problems.

In the early 1930s, the American Foundation for the Blind (AFB) produced a better braille writer in partnership with typewriter manufacturer L.C. Smith. The Foundation Writer was the best device available at the time, but it was heavy and not very durable. Although, in 1931, AFB Director Robert Irwin persuaded Perkins director Gabriel Farrell to halt production of its braille writer, Farrell resolved to develop a superior machine that would solve all the earlier design problems.

David Abraham, an English immigrant with a manufacturing background, joined the Perkins Industrial Arts Department in the mid-1930s. Abraham?s manual skills and experience in manufacturing and design brought him to the notice of Director Farrell. Abraham agreed to create a prototype that incorporated a list of desirable features. This proved to be a lengthy undertaking. For the next five or six years, David Abraham spent innumerable evenings and weekends working on the brailler in his home basement workshop. When Abraham brought his prototype to Dr. Farrell in 1941, the United States was embroiled in World War II, and production was postponed due to national restrictions on manufacturing.

During the war years Perkins students experimented with Abraham?s writer and found it excellent. The brailler?s embossing head was internal, eliminating the overhanging carriage that had created difficulties in previous models. Paper insertion and the spacing mechanisms were simple, quick, and accurate. The machine?s singular key action produced dots of uniform height regardless of the amount of pressure upon the keys. The prototype was durable and much quieter than other braille writers available at the time.

In 1946 Perkins trustees agreed to subsidize the production of the brailler. Edward Waterhouse, manager of Howe Press, promoted the device nationwide to assure a market when it was finally produced. The preparations, including tooling up and relocating the cramped and outmoded machine shop from South Boston to Watertown, took five years and cost half of the Howe Press endowment raised decades earlier by Michael Anagnos.

Invaluable financial assistance came from the American Foundation for the Blind. Convinced of the superiority of the Perkins Brailler, the AFB discontinued manufacture of its braille writer, and assisted Perkins in securing $40,000 in loans from foundations in New York and Boston. This enabled Howe Press to produce its first 2000 machines at the reasonable cost of $70.00 a piece.

David Abraham had become Chief Engineer at Howe Press, and his perfectionism was often very frustrating for Perkins management and potential customers. He proudly said the brailler?s design was more precise than a fine watch, and he often held up production to make minute adjustments. However, this attention to detail created a machine that can withstand the rigors of repeated use over decades.

In the 1990s Perkins set up brailler assembly plants in England, India and South Africa. While Howe Press still produces the parts to Abraham?s exacting standards, offshore assembly solves the problem of high duties and import taxes that made the brailler too costly for many who desperately needed it. A special grant from the Conrad Hilton Foundation has further reduced the cost of the Perkins Brailler to people who are blind in developing countries.

David Abraham has given the world an excellent brailler that is still manufactured with only minimal changes to its original design. Computer technology has not caused the Perkins Brailler to diminish in its importance. In industrialized nations, users with personal computers still rely upon the Perkins Brailler for note taking and correspondence. Developing nations find that it is the most practical, affordable communications tool for their blind and deafblind citizens. Its reliability and durability make it a mainstay in classrooms all over the world. The Perkins Brailler is considered the pencil and paper for people who are blind. Hundreds of thousands have been produced, but not one has been known to wear out. It would be difficult to overstate the role played the Perkins Brailler since it was introduced in the 1950s but because of their sturdiness and usefulness in writing braille, the Perkins Brailler will surely be a mainstay well into the future.

Suggested citation for scholars:

McGinnity, B.L., Seymour-Ford, J. and Andries, K.J. (2004) Howe Press and the Perkins Brailler.. Perkins History Museum, Perkins School for the Blind, Watertown, MA.

Arrow pointing to text.
Search the entire site:

Perkins Logo. Perkins Logo Type.
175 North Beacon Street
.

Watertown, Massachusetts 02472
.

Fax 617-926-2027
.

Phone 617-924-3434
.